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<channel>
	<title>Eugene Lee</title>
	<link>https://uuueugene.com</link>
	<description>Eugene Lee</description>
	<pubDate>Thu, 03 Aug 2023 03:57:39 +0000</pubDate>
	<generator>https://uuueugene.com</generator>
	<language>en</language>
	
		
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		<title>Front page</title>
				
		<link>https://uuueugene.com/Front-page</link>

		<pubDate>Fri, 26 Jun 2020 14:04:21 +0000</pubDate>

		<dc:creator>Eugene Lee</dc:creator>

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		<description>
	Eugene Lee
CV

About



	Currently 
Working OnPet Paradise
	Project
Splitting as a Daily PracticeThe Plantation Guide
	Installation
Behind beebo; Before meZamboni Drift (A side &#38;amp; B side)
Simulation Room: beebo

Splitting as a Daily Practice

	BookIf God Says so,The Plantation Guide

	Film &#38;amp; AnimationThoughts on Monday Blue
Game
Pet Paradise (Pilot Film)
The Coffee I didn’t Drink

Tracing the Impractical Marker
	To Be Continued
Shape to WavesFuzzy Fuzzily Crossing




	

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	<item>
		<title>Pet Paradise</title>
				
		<link>https://uuueugene.com/Pet-Paradise</link>

		<pubDate>Thu, 03 Aug 2023 03:57:39 +0000</pubDate>

		<dc:creator>Eugene Lee</dc:creator>

		<guid isPermaLink="true">https://uuueugene.com/Pet-Paradise</guid>

		<description>
	Currently 
Working On

	Pet Paradise is a stop-motion animation feature film artist Hana Zhang and I are making right now.

“We want to tell a story of a world where animal characters want to do plastic surgeries, and to discuss about the widespread appearance anxiety and identity issues. By using the form of stop motion and clay puppets, we are excited to bring both fantasy and realism into the utopian world.”Go check out our PET PARADISE website to learn more about this project!


	&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/af5ba56534da88877befd8299daf6ef779885a6dd7cfac6363c8a8e556c0379d/WEBSITE.png" data-mid="186870241" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/af5ba56534da88877befd8299daf6ef779885a6dd7cfac6363c8a8e556c0379d/WEBSITE.png" /&#62;
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	<item>
		<title>About</title>
				
		<link>https://uuueugene.com/About</link>

		<pubDate>Fri, 26 Jun 2020 14:04:21 +0000</pubDate>

		<dc:creator>Eugene Lee</dc:creator>

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	About



	&#60;img width="8354" height="9496" width_o="8354" height_o="9496" data-src="https://freight.cargo.site/t/original/i/94d14aa95e16c43d467c21ad4acfbd0823da8aa2ed31f7943e6f79ce2a57c794/Untitled11.jpg" data-mid="76934670" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/94d14aa95e16c43d467c21ad4acfbd0823da8aa2ed31f7943e6f79ce2a57c794/Untitled11.jpg" /&#62;
	Eugene Lee (Taiwan) is a multimedia artist who was born in Eugene, Oregon. He received his MFA from ICP-Bard MFA Program, and a BA in Journalism from the National Chengchi University (Taiwan). Primarily working with audio-visual project and installation, Lee explores the intangibles of fleeting emotions. Through sampling various structures of daily phenomena as analogies, his works often refract the tiny yet ever-echoing impact within and beyond one's lifespan.
He’s also the co-founder of artist-run space&#38;nbsp;Fluff Fluff and the member of Slow Burn Film Collective.
	

	
	︎ eugenevoyeur
︎ eugenevoyeur@gmail.com

	
	
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	<item>
		<title>Splitting as a Daily Practice</title>
				
		<link>https://uuueugene.com/Splitting-as-a-Daily-Practice-1</link>

		<pubDate>Fri, 10 Jul 2020 06:50:48 +0000</pubDate>

		<dc:creator>Eugene Lee</dc:creator>

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		<description>
	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Splitting as a&#38;nbsp;

	
	


Daily Practice&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;

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		<title>Splitting:1</title>
				
		<link>https://uuueugene.com/Splitting-1</link>

		<pubDate>Fri, 07 Aug 2020 15:13:16 +0000</pubDate>

		<dc:creator>Eugene Lee</dc:creator>

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		<description>
	
	
Splitting as a Daily Practice is a multimedia trilogy started in 2017. Beginning with the practice of expanding spatial sensation and exploring the elusiveness of light; intercutting and teleporting situations from the clashes of mundane matters to the avenues of emotional turning point, Lee manifests the question of “What use is art?” onto structures he sampled from daily phenomena. From dawn to dusk, from here and there, Splitting as a Daily Practice offers various synecdoche of everydayness that intertwined all together: as one, and as everything.
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		<title>Splitting:2</title>
				
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		<pubDate>Sat, 08 Aug 2020 14:56:01 +0000</pubDate>

		<dc:creator>Eugene Lee</dc:creator>

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		<description>
	&#60;img width="5230" height="3487" width_o="5230" height_o="3487" data-src="https://freight.cargo.site/t/original/i/fdd7061fd7947573e8b223e44644d99ddaf810b733674567e4c6aa895fbd807e/_DSF4320.jpg" data-mid="80604946" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/fdd7061fd7947573e8b223e44644d99ddaf810b733674567e4c6aa895fbd807e/_DSF4320.jpg" /&#62;
	

&#60;img width="1518" height="198" width_o="1518" height_o="198" data-src="https://freight.cargo.site/t/original/i/22cd65a31402a0a9cb52eb668bba437118e213eea471e0f1e0fe5f87f7171b64/-2020-08-23-2.26.45.png" data-mid="80605352" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/22cd65a31402a0a9cb52eb668bba437118e213eea471e0f1e0fe5f87f7171b64/-2020-08-23-2.26.45.png" /&#62;

	
Zamboni Drift (A Side &#38;amp; B Side)&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/45e487ffdd83bdbed498d1d8cd91e133adc884bd57dd74a3ea38109e7befef69/_DSF4281.jpg" data-mid="80628805" border="0"  src="https://freight.cargo.site/w/1000/i/45e487ffdd83bdbed498d1d8cd91e133adc884bd57dd74a3ea38109e7befef69/_DSF4281.jpg" /&#62;


	
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Simulation Room: beebo

&#60;img width="3922" height="5882" width_o="3922" height_o="5882" data-src="https://freight.cargo.site/t/original/i/3bc1068d463a8b2aa2b3d76ade80a2f8c03ebc76839a2f56a34d993022d9b900/_DSF4233.jpg" data-mid="80716696" border="0"  src="https://freight.cargo.site/w/1000/i/3bc1068d463a8b2aa2b3d76ade80a2f8c03ebc76839a2f56a34d993022d9b900/_DSF4233.jpg" /&#62;

Splitting as a Daily Practice


	
&#60;img width="5832" height="3888" width_o="5832" height_o="3888" data-src="https://freight.cargo.site/t/original/i/c47e64c63b034a6fc35b56daa63395c70e4b27d7259d02507d58e4ce24437bae/_DSF6630.jpg" data-mid="80724005" border="0"  src="https://freight.cargo.site/w/1000/i/c47e64c63b034a6fc35b56daa63395c70e4b27d7259d02507d58e4ce24437bae/_DSF6630.jpg" /&#62;
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		<title>Untitled Page</title>
				
		<link>https://uuueugene.com/Untitled-Page</link>

		<pubDate>Mon, 24 Aug 2020 17:35:55 +0000</pubDate>

		<dc:creator>Eugene Lee</dc:creator>

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		<description></description>
		
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		<title>The Plantation Guide </title>
				
		<link>https://uuueugene.com/The-Plantation-Guide-1</link>

		<pubDate>Thu, 02 Jul 2020 16:57:42 +0000</pubDate>

		<dc:creator>Eugene Lee</dc:creator>

		<guid isPermaLink="true">https://uuueugene.com/The-Plantation-Guide-1</guid>

		<description>
	


&#60;img width="5982" height="3988" width_o="5982" height_o="3988" data-src="https://freight.cargo.site/t/original/i/c4962ea4a81d794d77f206fbe19436ffcbc657ac5bd3966bf02901f0e1eaa3c9/_DSF1412-.jpg" data-mid="77093770" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/c4962ea4a81d794d77f206fbe19436ffcbc657ac5bd3966bf02901f0e1eaa3c9/_DSF1412-.jpg" /&#62;


	



&#38;nbsp;The &#38;nbsp;Plantation &#38;nbsp;Guide
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="1976" height="2981" width_o="1976" height_o="2981" data-src="https://freight.cargo.site/t/original/i/b58f406f0b1f232815a2a75bfc0bb12b6103066f11c2534142dfca35aca6a3e4/001601910033.jpg" data-mid="77093799" border="0" data-scale="78" src="https://freight.cargo.site/w/1000/i/b58f406f0b1f232815a2a75bfc0bb12b6103066f11c2534142dfca35aca6a3e4/001601910033.jpg" /&#62;


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	&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/fd856e84a849263c2372140fc134b3ceaf222ab143cd4a8ee9fe13549bd55dac/_DSF3127-.jpg" data-mid="77093790" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/fd856e84a849263c2372140fc134b3ceaf222ab143cd4a8ee9fe13549bd55dac/_DSF3127-.jpg" /&#62;
	
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&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/fcf03d52cfb0c67325b2cb3de3f78df89f29623624824d1921af80fe39e8c7e6/_DSF3128-.jpg" data-mid="77093791" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/fcf03d52cfb0c67325b2cb3de3f78df89f29623624824d1921af80fe39e8c7e6/_DSF3128-.jpg" /&#62;







	&#60;img width="5892" height="3928" width_o="5892" height_o="3928" data-src="https://freight.cargo.site/t/original/i/c69e597ad6ca408e24ec479f85a27b99ea8fb30dc201faa7682e598d10e21a91/_DSF3098-.jpg" data-mid="77093779" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/c69e597ad6ca408e24ec479f85a27b99ea8fb30dc201faa7682e598d10e21a91/_DSF3098-.jpg" /&#62;

 


	
	

	
		
		
	
	
		
			
				
					
“The Plantation Guide” is a compiled collection of objects around
our life which are easily neglect by people. Although these objects
can be seen everywhere, it seems that nobody knows the authors
nor the meaning of existence of these objects. I photographed them
and classified them into a guide, just like the anonymity of these
objects did: outputting things that maybe only themselves know
the correct usage of it.


	

	&#60;img width="2480" height="3507" width_o="2480" height_o="3507" data-src="https://freight.cargo.site/t/original/i/0e63695426c68f50cdc1535dd9267fc84867d6967965eb8425d9ea732c5c8eba/exhibition-essay-cool.jpg" data-mid="78284905" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/0e63695426c68f50cdc1535dd9267fc84867d6967965eb8425d9ea732c5c8eba/exhibition-essay-cool.jpg" /&#62;
	

	
		
		
	
	
		
			
				
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</description>
		
	</item>
		
		
	<item>
		<title>Behind beebo; Before me</title>
				
		<link>https://uuueugene.com/Behind-beebo-Before-me</link>

		<pubDate>Thu, 09 Jul 2020 02:23:26 +0000</pubDate>

		<dc:creator>Eugene Lee</dc:creator>

		<guid isPermaLink="true">https://uuueugene.com/Behind-beebo-Before-me</guid>

		<description>


	
Installation&#38;nbsp; &#38;nbsp; &#38;nbsp;&#124;&#38;nbsp; &#38;nbsp; 2019 &#38;nbsp; &#38;nbsp;

Behind beebo; Before me



	Behind beebo; Before me&#38;nbsp;is a performance-situated installation that investigates
the multisensory experiences that interflow and transit between individuals in
the state of synesthesia. The project is a further exploration of Lee’s
previous project, Simulation Room: beebo (2019). 




By exploring the idea of sound
performance and multi-functional art, this project aims to create a safe space
for the viewer whom willing to enter and experience a “self-to-self” multisensory
work.










 
	

</description>
		
	</item>
		
		
	<item>
		<title>Zamboni Drift (A side &#38; B side)</title>
				
		<link>https://uuueugene.com/Zamboni-Drift-A-side-B-side</link>

		<pubDate>Tue, 07 Jul 2020 00:38:12 +0000</pubDate>

		<dc:creator>Eugene Lee</dc:creator>

		<guid isPermaLink="true">https://uuueugene.com/Zamboni-Drift-A-side-B-side</guid>

		<description>


	
Installation&#38;nbsp; &#38;nbsp; &#38;nbsp;&#124;&#38;nbsp; &#38;nbsp; 2019 &#38;nbsp; &#38;nbsp;

Zamboni Drift (A side &#38;amp; B side)



	



















Zamboni Drift (A side &#38;amp; B side) is an
exploration about the neurological of imagery and the foundation of scale that shift our sense toward “living.” Transmitting a live stream view of my bedroom onto the projector mounted on a
Roomba, offsetting the camera obscura of the street view with the reenactment
of mopping the floor, I am searching for archetypes that not only construct the
space for “both and neither”, but also the understanding of oneself through
daily routine.&#38;nbsp; 



 
Discovering process through process,&#38;nbsp; and the array of imagery transformation within time and space, I decompress the&#38;nbsp;recurrence scene of everydayness to figure out how to “live.”&#38;nbsp;


 
	


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